We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.
Boulevard Solitude: Symphonic Interludes
by Hans Werner Henze
Orchestration
2222-4431-timp+6-hp-pf-str
Duration
15 minutes
Year Composed
1951
If you see any information that is wrong, please provide feedback!
We will do our best to quickly correct any mistakes.
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing [email protected].
Movements & Players Table
Part Name | Instruments |
|---|---|
Piccolo | Piccolo |
Flute | C Flute |
Oboe | Oboe |
English Horn | English Horn |
Clarinet 1 | Clarinet in Bb |
Clarinet 2 | Bass Clarinet in Bb |
Bassoon 1 | Bassoon |
Bassoon 2 | Bassoon |
Horn 1 | Horn in F |
Horn 2 | Horn in F |
Horn 3 | Horn in F |
Horn 4 | Horn in F |
Trumpet 1 | Trumpet in C |
Trumpet 2 | Trumpet in C |
Trumpet 3 | Trumpet in C |
Trumpet 4 | Trumpet in C |
Trombone 1 | Trombone |
Trombone 2 | Trombone |
Trombone 3 | Trombone |
Tuba | Tuba |
Timpani | Timpani |
Percussion 1 | Maracas, Claves, Tom-Tom, Chimes, Vibraphone, Glockenspiel, Bass Drum, Triangle, Cymbals, Snare Drum (with and without snares), Tam-Tam, Xylophone, and 2 Suspended Cymbals |
Percussion 2 | |
Percussion 3 | |
Percussion 4 | |
Percussion 5 | |
Percussion 6 | |
Harp | Harp |
Mandolin | Mandolin |
Piano | Piano |
Violin 1 | Violin Section |
Violin 2 | Violin Section |
Viola | Viola Section |
Cello | Cello Section |
Double Bass | Bass Section |
Works With Similar Orchestration
Report an Inaccuracy
Thank you for helping out OMDEX with your feedback. Your contribution will be credited if you would like!
Contact form failed to submit!
We apologize, but it looks like the form failed to submit. Please contact us directly by emailing [email protected].
We Want Your Help!
Are you passionate about orchestral repertoire, equitable programming, and advancement of music of living composers? We'd like to work with you.